The Earthy Palo of Tientos

I’ve been working on a new Tientos choreography to dance this weekend. It’s been just about 2 years since I’ve performed- and even longer since I’ve danced Tablao (flamenco restaurant venue)!

I love dancing to this palo because for me it’s so grounded, earthy and sensual. In my former life, I used to be a bellydancer, so the 4 count palos in flamenco bring me back to that spirit of movement. Well, at least that’s my interpretation.

My first experience that I remember of seeing a Tientos was in the Carlos Saura film, El Amor Brujo, a must-see for all aficionados. In that scene the dancer is dancing slowly and sensually outside by the campfire. The simple movement to the cante was intoxicating. (Sorry, I can’t find that clip on YouTube! If I ever find it, I’ll post it. Although I remember that the dancer is Laura del Sol, pictured above.)

Tientos can be a “gateway” palo to the heavyweights like Solea and Seguirilla. It allows for being profound in the movement and mood without the necessary experience it requires to successfully pull off the more jondo palos. A dancer uses more hip movements, shows more sensuality and strength, and practices being inside the body or very centered.

They are a slow 4 count tempo and the dance ends in Tangos, a fast 4 count. The letras (verses) themselves usually speak of love, loss and longing. The structure is similar to all other flamenco palos that are danced as solos: